Wednesday, February 20, 2013
Interview with CAMRA, Part 2 of a 3 Part series
This is part 2 of the interview with four Penn Doctoral students who contribute to the Media Pedagogy Lab, CAMRA. They are preparing for the First Annual Screening Scholarship Series Festival this Sunday, an event that CAMRA is co-sponsoring.
For part 1 of the interview, click here.
MTW: One of the results of creating new ways to present research is that you can establish new ways to set the tone of the learning environment. As visual and digital research representation becomes more prevalent, what aspects of the learning environment - and the students and scholars in those environments - must researchers be aware of?
Matthew Tarditi (Teaching, Learning, and Teacher Education): Pedagogy is at the heart of CAMRA and most of us in the organization who are educators and/or educational scholars are keenly aware of the relation between research, knowledge production and issues of representation on one hand and teaching and learning on the other.
Audio-visual and digital technologies pervade all facets of our lives, not only as learners and teachers, but also as social beings acting and interacting with one another through these media. Therefore, researchers must continue to be aware of the ways technology mediates and influences the complex array of individuals, knowledges, relationships, contexts and learning environments, among other variables, in order to explore, account for and ultimately incorporate these media (existing and new) into pedagogical approaches.
Lastly, for researchers, the issues of ethics and participation are important themes warranting thoughtful consideration and awareness as we continue to experiment with multimedia technologies in educational environments.
Sofia Chaparro (Educational Linguistics): First, we must address the media literacies we come with as audiences for digital/visual/auditory representations of research. How do we interpret what we see and hear? What literacies are already in place that frame what we see in particular ways?
Secondly, we must address the issue of legitimization of this type of genre in the academy. How do evaluate such work? Is there a way to “peer review” and “publish” digital/visual/aural works? What criteria do we use? Part of the project of CAMRA is engaging the academic community in this discussion so that we may begin to articulate frameworks that will allow this work to “count” just as much as written papers and publications do.
Finally, as Matt mentioned above, issues of ethics and representation come to the forefront whenever you use visual media as a methodology in social scientific research, particularly ethnography. To me, it means that fostering critical literacies in students is paramount as a goal of education at all levels.
Arjun Shankar (Anthropology and Education): This is a great question and one I have been thinking about a lot. The first is that technologies (film, multimedia) are not some magic bullet. We have all been in classrooms already in which professors put on films expecting that the film will somehow do all the teaching for them. In reality, these forms of media have to be thought of with a pedagogical lens in mind. What types of power differentials and inequalities might the film be propagating? What are the major questions which a professor needs to be ready to address and critique when students integrate these new forms into their learning environments? These are really important ethical questions which cannot be swept away.
The second part of this is that we cannot expect students to be able to utilize these tools in self-conscious ways just because they are immersed in digitality in their everyday life. To use these tools effectively, professors have to begin allowing students to experiment with production, and help students see how their own biases come out in what and how they produce these digital products.
Tuesday, February 19, 2013
Interview with Students from CAMRA, a 3-part series
This Sunday, CAMRA (a Media Pedagogy Lab at Penn) GSE, and the Annenberg School for Communication will co-sponsor the First Annual Screening Scholarship Media Festival at Penn. The festival will run for most of the day, and will allow attendees to explore how, as the website says, "diverse and creative uses of multimedia are changing knowledge production and the research imagination."
I had a chance to catch up with a few of the Penn student contributors of CAMRA to find out a little more about the lab and the upcoming festival.
The four students I interviewed are all in Ph.D programs: Matthew Tarditi (Teaching, Learning, and Teacher Education), Leya Matthew (Education), Sofia Chaparro (Educational Linguistics) and Arjun Shanker (Anthropology and Education).
This is Part 1 of 3. Part 2 will be posted Wednesday, and Part 3 will be posted Thursday.
MTW: CAMRA has an ambitious mission. What does this mission and the goals of the group mean to you personally?
Matt: There are many aspects of CAMRA's mission that speak to me. The creative, artistic and rigorous incorporation of multimedia technologies, specifically film for me, in all stages of the research process and the overall academic project are both exciting and necessary as the world becomes increasingly digital and audio-visual. Multimedia not only speaks to a larger audience, but more importantly, it affords researchers like myself boundless possibilities for representing research, producing knowledge, and collaborating with partners, communities and research participants. Relatedly, there are exciting pedagogical openings and opportunities enriched by technology broadly, and multimedia technology more specifically.
It is because of these rich opportunities associated by multimedia technologies that I am drawn to CAMRA. Most personally of these are the artistic/creative and collaborative affordances. In sum, informed and guided by a strong collaborative orientation, the mission of CAMRA is also my personal mission as a practitioner, researcher and being in the world.
Leya: I think CAMRA is on one level an acknowledgment of the growing diversity of the academic population. As people from other knowledge traditions like filmmaking bring diverse ways of knowing the world into the academy, epistemological and ontological disorientations are bound to creep up. It becomes necessary that positions taken for granted be taken up for scrutiny yet again, be it who has claims for knowledge production or even what scholarship looks like. In one way, I find it astounding that knowledge claims have succeeded, for so long, to retain the supremacy of one specific medium - text. At the same time, I also see a tendency to translate textual scholarship into film, maybe too literally. Nevertheless, it is exciting to build this community here at Penn, to re-imagine scholarship in ways that make research exciting, and anxious in some ways. I say anxious because new techniques also raise up questions of ethics in urgent ways. This is not new, anthropologists have been struggling with these questions for a very long time, which is probably why we trace our intellectual debts to anthropology in many ways.
Sofia: I was initially very drawn to the use of film and visual media in research for its potential in reaching wider audiences, something particularly important for me as a former teacher and educational researcher. At the same time, using film in my field site last year made me realize that it impacts every step of the process, not just the dissemination stage. So that film becomes as much a product as a process that will impact the research relationships I develop with my participants, the interpretations and analysis that I gather from my data, and the ethical questions I must address in the process of representation.
Arjun: For me, CAMRA represents a changing way of thinking about knowledge production in the university. Firstly, and this is really important, it means including voices in the conversation which have previously been marginalized or excluded completely. I have been thinking a lot about participatory methods, which necessarily mean deciding who has access to and can disseminate research - whether it's filmmakers, teachers, students, etc. An academy which takes these voices seriously will not only be a more ethical place, but also a much more lively intellectual community. For me, it also means a new way to think creatively about research; what technology has done is force me to critique textual practice itself. For example, if we can begin exploring fictional methods in film then why not in text as well? What artistic openings are we afforded?
Part 2 will be posted Wednesday.
I had a chance to catch up with a few of the Penn student contributors of CAMRA to find out a little more about the lab and the upcoming festival.
The four students I interviewed are all in Ph.D programs: Matthew Tarditi (Teaching, Learning, and Teacher Education), Leya Matthew (Education), Sofia Chaparro (Educational Linguistics) and Arjun Shanker (Anthropology and Education).
This is Part 1 of 3. Part 2 will be posted Wednesday, and Part 3 will be posted Thursday.
MTW: CAMRA has an ambitious mission. What does this mission and the goals of the group mean to you personally?
Matt: There are many aspects of CAMRA's mission that speak to me. The creative, artistic and rigorous incorporation of multimedia technologies, specifically film for me, in all stages of the research process and the overall academic project are both exciting and necessary as the world becomes increasingly digital and audio-visual. Multimedia not only speaks to a larger audience, but more importantly, it affords researchers like myself boundless possibilities for representing research, producing knowledge, and collaborating with partners, communities and research participants. Relatedly, there are exciting pedagogical openings and opportunities enriched by technology broadly, and multimedia technology more specifically.
It is because of these rich opportunities associated by multimedia technologies that I am drawn to CAMRA. Most personally of these are the artistic/creative and collaborative affordances. In sum, informed and guided by a strong collaborative orientation, the mission of CAMRA is also my personal mission as a practitioner, researcher and being in the world.
Leya: I think CAMRA is on one level an acknowledgment of the growing diversity of the academic population. As people from other knowledge traditions like filmmaking bring diverse ways of knowing the world into the academy, epistemological and ontological disorientations are bound to creep up. It becomes necessary that positions taken for granted be taken up for scrutiny yet again, be it who has claims for knowledge production or even what scholarship looks like. In one way, I find it astounding that knowledge claims have succeeded, for so long, to retain the supremacy of one specific medium - text. At the same time, I also see a tendency to translate textual scholarship into film, maybe too literally. Nevertheless, it is exciting to build this community here at Penn, to re-imagine scholarship in ways that make research exciting, and anxious in some ways. I say anxious because new techniques also raise up questions of ethics in urgent ways. This is not new, anthropologists have been struggling with these questions for a very long time, which is probably why we trace our intellectual debts to anthropology in many ways.
Sofia: I was initially very drawn to the use of film and visual media in research for its potential in reaching wider audiences, something particularly important for me as a former teacher and educational researcher. At the same time, using film in my field site last year made me realize that it impacts every step of the process, not just the dissemination stage. So that film becomes as much a product as a process that will impact the research relationships I develop with my participants, the interpretations and analysis that I gather from my data, and the ethical questions I must address in the process of representation.
Arjun: For me, CAMRA represents a changing way of thinking about knowledge production in the university. Firstly, and this is really important, it means including voices in the conversation which have previously been marginalized or excluded completely. I have been thinking a lot about participatory methods, which necessarily mean deciding who has access to and can disseminate research - whether it's filmmakers, teachers, students, etc. An academy which takes these voices seriously will not only be a more ethical place, but also a much more lively intellectual community. For me, it also means a new way to think creatively about research; what technology has done is force me to critique textual practice itself. For example, if we can begin exploring fictional methods in film then why not in text as well? What artistic openings are we afforded?
Part 2 will be posted Wednesday.
Monday, February 18, 2013
Finish that Application!
The deadline for Penn GSE's Higher Education Master's program is March 1st. I am wondering how many people out there are considering applying but have not completed their profile for fear that grad school may not be the right choice. We have more news articles every day that tell us how graduates are struggling to get jobs in this (slowly improving) economy, even those with Master's and PhD's. The threat of being burdened with further student loan debt may make Grad school look like it's not worth it anymore to a potential applicant.
But if you're thinking about applying, and you're checking out Penn GSE's website, and you're looking at the Admissions Blog, and you stumbled on to this blog (thanks for visiting!), I have to ask... why not apply?
We never know what's in store for us unless we take that good ol' leap of faith, if you will. If you have begun an application (for any of the programs at GSE whose deadline has not passed or is based on rolling admission), you should go ahead and finish and give yourself a chance to be accepted at this great institution. All of the worries of the world, and whether Grad School is worth it nowadays, doesn't really matter. What matters is taking a chance and giving yourself as many possibilities and opportunities as possible. The worse that can happen is you get rejected. Getting rejected should not be looked at as a definitive reflection of self, I feel that it's more of a sign that the circumstance you want to put yourself in does not quite align with the timing you try to put yourself in it.
The best that can happen is you get accepted. Then you can weigh the pros and cons of whether grad school would be worth it to you. But at least give yourself that chance first.
So go ahead, finish that application. You'll feel better once you do.
Monday, February 4, 2013
Interview with Brendesha Tynes, Part 2
This is Part 2 of the interview with Brendesha Tynes, Associate Professor of Educational Psychology at the USC Rossier School of Education. She will present a lecture at Penn as part of the Visiting Faculty Scholars of Color program on Feb. 5th. Part 1 of the interview is here.
Part 2:
MTW: What experiences have you had or what have you seen that influenced you to take the research path you chose?
BT: I’ve had a number of experiences but I’ll mention the first.
I wanted to be a biomedical engineer when I was a sophomore and junior in high school. The University of Michigan had a program where they brought aspiring engineers to the campus. At some point during the program, I was walking down the street, and a car full of white guys drove by and they said, “Go home ‘N-word’” [They said the actual word]. I lost my desire to go to Michigan and to be an engineer shortly afterwards.
MTW: What experiences have you had or what have you seen that influenced you to take the research path you chose?
BT: I’ve had a number of experiences but I’ll mention the first.
I wanted to be a biomedical engineer when I was a sophomore and junior in high school. The University of Michigan had a program where they brought aspiring engineers to the campus. At some point during the program, I was walking down the street, and a car full of white guys drove by and they said, “Go home ‘N-word’” [They said the actual word]. I lost my desire to go to Michigan and to be an engineer shortly afterwards.
Fast forward to undergrad and graduate school and many of
my research questions have centered around African American self-perceptions,
dealing with discrimination and how it affects their development. My life could have been very different. I
could be creating prosthetic devices, but my experience at Michigan changed
that. I want to do my part to figure out
the impact these experiences have on others.
MTW: Where do you see your research, and the field, in 10-15 years?
BT: This is the absolute best time to study race online. This historical moment is the absolute best time to do this research. You have people thinking about race in really sophisticated ways. At the same time you have a retreat to pre-Civil Rights era race relations.
MTW: Where do you see your research, and the field, in 10-15 years?
BT: This is the absolute best time to study race online. This historical moment is the absolute best time to do this research. You have people thinking about race in really sophisticated ways. At the same time you have a retreat to pre-Civil Rights era race relations.
In the future you’re going to see more research on
intergroup relations and intergroup learning online.
Researchers
will also try to better understand how the internet can be used as a tool to
promote more positive race relations.
MTW: What advice do you give to the aspiring scholar who wants to do similar research?
BT: My work covers at least three disciplines: Developmental Psychology, New Media Studies, and Black Studies. When you want to do interdisciplinary work it takes a lot more time. For each discipline, it will take a year and a half of reading and coursework. I would also suggest connecting with faculty who are doing similar work.
MTW: What advice do you give to the aspiring scholar who wants to do similar research?
BT: My work covers at least three disciplines: Developmental Psychology, New Media Studies, and Black Studies. When you want to do interdisciplinary work it takes a lot more time. For each discipline, it will take a year and a half of reading and coursework. I would also suggest connecting with faculty who are doing similar work.
Friday, February 1, 2013
Interview with Visiting Faculty Scholar of Color, Brendesha Tynes
On Tuesday February 5th, GSE’s Visiting Faculty Scholars of Color program will present Brendesha Tynes, the Associate Professor
of Educational Psychology at the USC Rossier School of Education. Professor Tynes will present a talk titled, Online
Racial Discrimination and Mental Health Outcomes among a Diverse, School-based
Sample of Adolescents. I had a
chance to talk to Professor Tynes about her research in this emerging field,
her inspiration, and advice she has for scholars who want to do similar research.
MTW: Please tell us a little about your upcoming talk at Penn and what you hope to accomplish with it.
BT: I’m going to be presenting the results from an NICHD-funded, longitudinal study of the risk and protective factors associated with online victimization. My research team is beginning to analyze data from Wave 1 of the project. I will be presenting these results, focusing on online racial discrimination and how it relates to mental health outcomes. Also, we’re looking at group differences in those outcomes.
There’s been a rise in online hate activity since the 2008 election of President Obama. While we hear a ton about cyberbullying, we don’t hear about the race-related experiences that our teens are having. I’d like to change that a bit. I also want to show how these experiences relate to our teens’ everyday schooling experiences.
MTW: Who has the greatest opportunity to protect adolescents from the negative repercussions of online discrimination? Parents? Teachers? Other adolescents?
We’re beginning to see that everyone can play a role. For example, peers and family can be buffers in the association between online victimization and depressive symptoms. [The adolescents] have fewer depressive symptoms when they have peer and family support. When they have teacher support they have fewer rule-breaking and aggressive behaviors.
MTW: In a blended learning environment, how should an educator balance the attention they pay to the impact of virtual elements and the impact of real-life elements on the development of the students?
BT: This is the interesting thing…the line between the virtual and reality is really blurring. The virtual is real. A lot of what happens in school gets extended into online worlds. Our teens see each other all day and then connect on sites like Facebook in the evening.
I plan to talk about the focus of my next study, a blended learning environment where they manage to do a good job of balancing the two.
This is Part 1
of the interview. Part 2 will be posted
on Monday.
MTW: Please tell us a little about your upcoming talk at Penn and what you hope to accomplish with it.
BT: I’m going to be presenting the results from an NICHD-funded, longitudinal study of the risk and protective factors associated with online victimization. My research team is beginning to analyze data from Wave 1 of the project. I will be presenting these results, focusing on online racial discrimination and how it relates to mental health outcomes. Also, we’re looking at group differences in those outcomes.
There’s been a rise in online hate activity since the 2008 election of President Obama. While we hear a ton about cyberbullying, we don’t hear about the race-related experiences that our teens are having. I’d like to change that a bit. I also want to show how these experiences relate to our teens’ everyday schooling experiences.
MTW: Can you
tell us about some of the ways that racial discrimination online affects an adolescent
differently than racial discrimination in a classroom?
BT: We are trying to figure that out. Thus far we know that discrimination online has a unique impact on mental health, including depressive symptoms and anxiety over and above discrimination offline. We also believe that the duration of victimization online may have a unique impact on development. The discriminatory text or image online becomes a permanent reminder and victims may repeatedly experience an incident... on Facebook, for example where offensive language is not removed from a person’s wall. Individuals also know that a particular hate site with extreme language exists once they have either stumbled upon or deliberately viewed the site. Its permanence and the fact that it is legitimated or viewed by a wide audience may have a particularly detrimental impact on adolescent adjustment.
BT: We are trying to figure that out. Thus far we know that discrimination online has a unique impact on mental health, including depressive symptoms and anxiety over and above discrimination offline. We also believe that the duration of victimization online may have a unique impact on development. The discriminatory text or image online becomes a permanent reminder and victims may repeatedly experience an incident... on Facebook, for example where offensive language is not removed from a person’s wall. Individuals also know that a particular hate site with extreme language exists once they have either stumbled upon or deliberately viewed the site. Its permanence and the fact that it is legitimated or viewed by a wide audience may have a particularly detrimental impact on adolescent adjustment.
MTW: Who has the greatest opportunity to protect adolescents from the negative repercussions of online discrimination? Parents? Teachers? Other adolescents?
We’re beginning to see that everyone can play a role. For example, peers and family can be buffers in the association between online victimization and depressive symptoms. [The adolescents] have fewer depressive symptoms when they have peer and family support. When they have teacher support they have fewer rule-breaking and aggressive behaviors.
MTW: In a blended learning environment, how should an educator balance the attention they pay to the impact of virtual elements and the impact of real-life elements on the development of the students?
BT: This is the interesting thing…the line between the virtual and reality is really blurring. The virtual is real. A lot of what happens in school gets extended into online worlds. Our teens see each other all day and then connect on sites like Facebook in the evening.
I plan to talk about the focus of my next study, a blended learning environment where they manage to do a good job of balancing the two.
*Part 2 of the Interview will be Posted Monday.*
Thursday, January 24, 2013
Designing for the Digital-Savvy Student
I just learned the other day that an education workshop I proposed regarding Learning Environment Design has been approved, and is being marked for late March / early April. That is wonderful! I think that there is not enough conversation and attention given to learning environment design. I think this area will be very important in any school reform. Students are wired differently than they were 10-15 years ago. Because of this, we must create learning environments that mesh with how they learn in order to maximize the educational experience. While I often see literature that discusses how students are wired differently and are more digital savvy than ever before, I have not seen much literature that talks about how to design learning environments that take advantage of this.
One of my favorite books that touches on this is Rethinking Education in the Age of Technology by Richard Halverson and Allan Collins. They talk about how technology has forced us to a point where we have to seriously look at what education was, and what it needs to become, in order to help students of today learn. I recommend this book for everyone who is interested in looking more into the phenomenon of student learning in an increasingly digital world.
This interview from one of the authors, Richard Halverson, expands on the subject below. He makes some good points and brings up important issues that those of us interested in learning environment design need to be aware of. Enjoy:
One of my favorite books that touches on this is Rethinking Education in the Age of Technology by Richard Halverson and Allan Collins. They talk about how technology has forced us to a point where we have to seriously look at what education was, and what it needs to become, in order to help students of today learn. I recommend this book for everyone who is interested in looking more into the phenomenon of student learning in an increasingly digital world.
This interview from one of the authors, Richard Halverson, expands on the subject below. He makes some good points and brings up important issues that those of us interested in learning environment design need to be aware of. Enjoy:
Tuesday, January 15, 2013
Back from Winter Vacation
Today I return to class after having a few weeks off due to
the Winter break. It has been a great
few weeks to regroup, refresh, and regain perspective on a lot of things. Important perspective.
I remember a conversation I participated in with other
part-time students before the break.
This was during a Part-Time Student Association lunch. There weren’t a lot of students there, but a
nice group nonetheless. We kind of
came to a revelation that because we’ll be in GSE longer than a good amount of
the other GSE students (some of whom will only be in it for 1 year!), we have
an opportunity to be a great resource for the school and the students. I hope to take advantage of that a little
more this semester by focusing more on the people of GSE and not so much the
work I receive from my GSE class. I will
still work hard, but will try to stress less!
The time off was important.
Between your own life and what’s happening in the lives of others (even
those who are hundreds of miles away from you), you realize that there’s more
to life than that 25 page paper you stressed over toward the end of the semester. It’s also about those other students who stressed
over the 25 page paper as well! It’s
about the experiences, learning from each other, helping each other, and not
taking a day for granted.
In the midst
of trying to complete one assignment to the next, or completing one reading
after another, I think I let the entire Fall semester whiz by me. I didn’t stop to really soak in just how
beautiful it was that a group of students from all over the world could gather
together in one classroom (or Blackboard, or Canvas) and freely expand on or
create knowledge.
So this semester, I hope I can slow down and soak it
in. I’ve been blessed with a longer
amount of time to soak it in than some students get. I’ve already heard several 1-year GSE
students say that their year went by so fast.
For me, it will take longer, but it will still be done before I know it. And if I continue to
let it whiz by me, I will look back one day and think, “I wish I would have
just stopped and, I don’t know…learned a little bit more about my classmates.” So I
hope I can stick to this for the semester.
The even greater part is, I think it will help me overall as I continue
to balance part-time school with the other responsibilities in my life. So we’ll see.
Here’s to a great Spring semester, and a great 2013 as well.
*Comic: Ph.D Comics by Jorge Chan: http://www.phdcomics.com/comics.php
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